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	<title>Art=Text=Art &#187; Susan Miller</title>
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		<title>Susan Miller: Banal Details</title>
		<link>https://391.b00.mywebsitetransfer.com/discussion-susan-miller/</link>
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		<pubDate>Tue, 25 Sep 2012 14:56:45 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Discussion]]></category>
		<category><![CDATA[Susan Miller]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=3627</guid>
		<description><![CDATA[This topic is inspired by John Waters&#8217;s photograph 35 Days (2003) and a question he posed in his essay “Roommates” from the 2011 book Role Models: “Isn’t art supposed to transpose even the most banal detail of our lives?” What are some examples of a “banal detail” that inspires intriguing artworks in this exhibition? Which works are your [&#8230;]]]></description>
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		<title>Susan Miller on John Waters</title>
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		<pubDate>Fri, 31 Aug 2012 15:14:52 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[John Waters]]></category>
		<category><![CDATA[Susan Miller]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=3499</guid>
		<description><![CDATA[The Most Banal Detail John Waters’s 35 Days shows a grid of index cards on which he wrote his daily plans for 35 random days. Each day, Waters writes an itemized list of tasks on an index card, and as each task is completed, he crosses it out. The first thing you may ask yourself [&#8230;]]]></description>
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		<title>Susan Miller on Ed Ruscha</title>
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		<pubDate>Fri, 31 Aug 2012 15:02:23 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Ed Ruscha]]></category>
		<category><![CDATA[Susan Miller]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=3491</guid>
		<description><![CDATA[The Pleasure of the Empty Page For any artist or writer, a blank piece of paper offers the possibility of expression, which is part of the reason it can be terrifying. The drawing Suspended Sheet Stained with Ivy (1973) by Ed Ruscha allows us to reflect not just on art as text, but on art [&#8230;]]]></description>
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