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	<title>Art=Text=Art &#187; Mark Lombardi</title>
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		<title>Julie Langsam on Mark Lombardi</title>
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		<pubDate>Mon, 05 Nov 2012 20:45:47 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Julie Langsam]]></category>
		<category><![CDATA[Mark Lombardi]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=3854</guid>
		<description><![CDATA[I first saw Mark Lombardi’s work during the late 1990s in a group show at The Drawing Center in New York City.  I remember being immediately struck by the physical beauty of his drawings: the intricacy of the image; the delicacy and specificity of the line; the elegance of the overall web-like form. I also [&#8230;]]]></description>
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		<title>Billy Jacobs on Mark Lombardi</title>
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		<pubDate>Wed, 29 Jun 2011 20:41:01 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Billy Jacobs]]></category>
		<category><![CDATA[Mark Lombardi]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=187</guid>
		<description><![CDATA[Mark Lombardi called himself a storyteller. In Casino Resort Development in the Bahamas c. 1955-89 (Fourth Version), from 1995, Lombardi draws the connections between such diverse players as Meyer Lansky, Air America, Howard Hughes, Richard Nixon, and a myriad of dubious banks. These connections could be dismissed as conjecture or, worse, as misinformation. However, this [&#8230;]]]></description>
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