<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Art=Text=Art &#187; Maddie Phinney</title>
	<atom:link href="https://391.b00.mywebsitetransfer.com/category/maddie-phinney/feed/" rel="self" type="application/rss+xml" />
	<link>https://391.b00.mywebsitetransfer.com</link>
	<description></description>
	<lastBuildDate>Fri, 07 Nov 2014 16:04:38 +0000</lastBuildDate>
	<language>en-US</language>
		<sy:updatePeriod>hourly</sy:updatePeriod>
		<sy:updateFrequency>1</sy:updateFrequency>
	<generator>https://wordpress.org/?v=4.0.38</generator>
	<item>
		<title>Maddie Phinney on Anne Ryan</title>
		<link>https://391.b00.mywebsitetransfer.com/anne-ryan/</link>
		<comments>https://391.b00.mywebsitetransfer.com/anne-ryan/#comments</comments>
		<pubDate>Wed, 10 Sep 2014 21:11:29 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Anne Ryan]]></category>
		<category><![CDATA[Maddie Phinney]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=9563</guid>
		<description><![CDATA[Poet, printmaker, author, and painter Anne Ryan is often associated with the early generation of New York abstraction. In 1941, Ryan joined Atelier 17, a famous printmaking workshop originally established by Stanley William Hayter in France in the 1930s and transferred to New York after the Second World War. It wasn’t until 1948, when Ryan [&#8230;]]]></description>
		<wfw:commentRss>https://391.b00.mywebsitetransfer.com/anne-ryan/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Maddie Phinney on Ed Ruscha</title>
		<link>https://391.b00.mywebsitetransfer.com/maddie-phinney-on-ed-ruscha/</link>
		<comments>https://391.b00.mywebsitetransfer.com/maddie-phinney-on-ed-ruscha/#comments</comments>
		<pubDate>Wed, 10 Sep 2014 21:10:17 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Ed Ruscha]]></category>
		<category><![CDATA[Maddie Phinney]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=9561</guid>
		<description><![CDATA[Ed Ruscha began his commentary on language as a system in the early 1960s, most often exploiting the connotative power of a single word as a means of commenting on the contingent relationship of form to content. Later in the 1970s, Ruscha began employing evocative phrases and sentences to point to cultural conventions, myths, or [&#8230;]]]></description>
		<wfw:commentRss>https://391.b00.mywebsitetransfer.com/maddie-phinney-on-ed-ruscha/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Maddie Phinney on William Kent</title>
		<link>https://391.b00.mywebsitetransfer.com/william-kent/</link>
		<comments>https://391.b00.mywebsitetransfer.com/william-kent/#comments</comments>
		<pubDate>Wed, 10 Sep 2014 20:55:38 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Maddie Phinney]]></category>
		<category><![CDATA[William Kent]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=9550</guid>
		<description><![CDATA[While studying music theory at Yale under composer Paul Hindemith, William Kent became interested in sculpting, painting, and carving marble and wood. In the 1960s, he began making prints using large-scale discarded slate blackboards, which he sandblasted or carefully carved to create elegant bas-reliefs. It was also at this time that Kent developed a unique [&#8230;]]]></description>
		<wfw:commentRss>https://391.b00.mywebsitetransfer.com/william-kent/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Maddie Phinney on Jess</title>
		<link>https://391.b00.mywebsitetransfer.com/jess/</link>
		<comments>https://391.b00.mywebsitetransfer.com/jess/#comments</comments>
		<pubDate>Wed, 10 Sep 2014 20:44:24 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Jess]]></category>
		<category><![CDATA[Maddie Phinney]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=9544</guid>
		<description><![CDATA[Born Burgess Collins in Long Beach, California, the artist who chose to identify simply as Jess enrolled in the California School of the Arts (now the San Francisco Art Institute) in 1949. In San Francisco, Jess met his lover and life partner, the poet Robert Duncan. The two artists helped to craft a buzzing, experimental [&#8230;]]]></description>
		<wfw:commentRss>https://391.b00.mywebsitetransfer.com/jess/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Maddie Phinney on Robert Indiana</title>
		<link>https://391.b00.mywebsitetransfer.com/robert-indiana/</link>
		<comments>https://391.b00.mywebsitetransfer.com/robert-indiana/#comments</comments>
		<pubDate>Wed, 10 Sep 2014 20:43:09 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Maddie Phinney]]></category>
		<category><![CDATA[Robert Indiana]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=9542</guid>
		<description><![CDATA[Robert Indiana has described the 1960s as the most meaningful time of his life. His print portfolio Decade, published by Multiples, Inc., in 1971, commemorated this period with the reproduction of ten paintings made between 1960 and 1969. Included in this exhibition are two serigraphs from the portfolio, Mississippi and The American Dream. In the [&#8230;]]]></description>
		<wfw:commentRss>https://391.b00.mywebsitetransfer.com/robert-indiana/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
