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	<title>Art=Text=Art &#187; Kristen Gaylord</title>
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		<title>Kristen Gaylord on Russell Crotty</title>
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		<pubDate>Tue, 03 Jul 2012 18:53:46 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Kristen Gaylord]]></category>
		<category><![CDATA[Russell Crotty]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=2456</guid>
		<description><![CDATA[Russell Crotty’s work seems self-evidently “amateur,” in the etymological sense of the term1 : he is a surfer who doodles the surf, a hobbyist astronomer who sketches the stars. Crotty’s transcription of the natural world conveys a straightforward fascination with its marvels: crashing waves, haunting landscapes, and sublime universes. Yet a drawing such as Hale [&#8230;]]]></description>
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		<title>Kristen Gaylord on Mary McDonnell</title>
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		<pubDate>Wed, 29 Jun 2011 20:42:33 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Kristen Gaylord]]></category>
		<category><![CDATA[Mary McDonnell]]></category>

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		<description><![CDATA[Translation across media is notoriously ineffective, and when I sat down to write about Mary McDonnell’s Untitled (2007), my frustration and poor results exemplified that difficulty. The idioms lost between image and text are no different from untranslatable figures of speech. Some art begs to be explained, written about, and encased in academic language (conceptual [&#8230;]]]></description>
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		<title>Kristen Gaylord on Kry Bastian</title>
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		<pubDate>Tue, 28 Jun 2011 22:51:23 +0000</pubDate>
		<dc:creator><![CDATA[admin]]></dc:creator>
				<category><![CDATA[Kristen Gaylord]]></category>
		<category><![CDATA[Kry Bastian]]></category>

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		<description><![CDATA[Kry Bastian’s work occupies the liminal space that all effective art does: between the private and the public, the familiar and the strange. Artworks that cannot move beyond the individual become self-indulgent or irrelevant, but those that attempt to speak universally without the imprint of their makers often fall into predictability and cliché; every inhabitant [&#8230;]]]></description>
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