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	<title>Art=Text=Art &#187; Gloria Ortiz-Hernández</title>
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		<title>Cat Dawson on Gloria Ortiz-Hernández</title>
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		<pubDate>Wed, 10 Sep 2014 21:05:45 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Cat Dawson]]></category>
		<category><![CDATA[Gloria Ortiz-Hernández]]></category>

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		<description><![CDATA[Throughout this exhibition, translation emerges as one of the central points of engagement for Conceptual and proto-Conceptual artists. To think through translation is to come to understand the complexities of communication: that some things can be transferred from one language to another, while other things cannot. In Three Alphabets (2013), Gloria Ortiz-Hernández juxtaposes three versions [&#8230;]]]></description>
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		<title>Susanna Temkin on Gloria Ortiz-Hernández</title>
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		<pubDate>Wed, 29 Jun 2011 20:44:53 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Gloria Ortiz-Hernández]]></category>
		<category><![CDATA[Susanna Temkin]]></category>

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		<description><![CDATA[A single action repeated over and over: such is the basis of Gloria Ortiz-Hernández’s aptly titled series, “Over and Over.” As in many of her previous works, these drawings adopt the format of a square within a square, in which the central worked image is balanced by the unworked surface of its paper support. Yet [&#8230;]]]></description>
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