<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Art=Text=Art &#187; Ed Ruscha</title>
	<atom:link href="https://391.b00.mywebsitetransfer.com/category/ed-ruscha/feed/" rel="self" type="application/rss+xml" />
	<link>https://391.b00.mywebsitetransfer.com</link>
	<description></description>
	<lastBuildDate>Fri, 07 Nov 2014 16:04:38 +0000</lastBuildDate>
	<language>en-US</language>
		<sy:updatePeriod>hourly</sy:updatePeriod>
		<sy:updateFrequency>1</sy:updateFrequency>
	<generator>https://wordpress.org/?v=4.0.38</generator>
	<item>
		<title>Maddie Phinney on Ed Ruscha</title>
		<link>https://391.b00.mywebsitetransfer.com/maddie-phinney-on-ed-ruscha/</link>
		<comments>https://391.b00.mywebsitetransfer.com/maddie-phinney-on-ed-ruscha/#comments</comments>
		<pubDate>Wed, 10 Sep 2014 21:10:17 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Ed Ruscha]]></category>
		<category><![CDATA[Maddie Phinney]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=9561</guid>
		<description><![CDATA[Ed Ruscha began his commentary on language as a system in the early 1960s, most often exploiting the connotative power of a single word as a means of commenting on the contingent relationship of form to content. Later in the 1970s, Ruscha began employing evocative phrases and sentences to point to cultural conventions, myths, or [&#8230;]]]></description>
		<wfw:commentRss>https://391.b00.mywebsitetransfer.com/maddie-phinney-on-ed-ruscha/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Susan Miller on Ed Ruscha</title>
		<link>https://391.b00.mywebsitetransfer.com/susan-miller-on-ed-ruscha/</link>
		<comments>https://391.b00.mywebsitetransfer.com/susan-miller-on-ed-ruscha/#comments</comments>
		<pubDate>Fri, 31 Aug 2012 15:02:23 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Ed Ruscha]]></category>
		<category><![CDATA[Susan Miller]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=3491</guid>
		<description><![CDATA[The Pleasure of the Empty Page For any artist or writer, a blank piece of paper offers the possibility of expression, which is part of the reason it can be terrifying. The drawing Suspended Sheet Stained with Ivy (1973) by Ed Ruscha allows us to reflect not just on art as text, but on art [&#8230;]]]></description>
		<wfw:commentRss>https://391.b00.mywebsitetransfer.com/susan-miller-on-ed-ruscha/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kathryn Given on Ed Ruscha</title>
		<link>https://391.b00.mywebsitetransfer.com/kathryn-given-on-ed-ruscha/</link>
		<comments>https://391.b00.mywebsitetransfer.com/kathryn-given-on-ed-ruscha/#comments</comments>
		<pubDate>Wed, 29 Jun 2011 20:45:11 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Ed Ruscha]]></category>
		<category><![CDATA[Kathryn Given]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=200</guid>
		<description><![CDATA[The art of Ed Ruscha&#8211;a seamless combination of elements of commercial design, fine art, and popular culture&#8211;evidences the artist’s complex and longstanding relationship with words and language. During the late 1960s, Ruscha turned away from the American vernacular subject matter with which he had been working, including gas stations and other fixtures of the Western [&#8230;]]]></description>
		<wfw:commentRss>https://391.b00.mywebsitetransfer.com/kathryn-given-on-ed-ruscha/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
