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	<title>Art=Text=Art &#187; Dayle Wood</title>
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		<title>Dayle Wood on Cy Twombly</title>
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		<pubDate>Wed, 29 Jun 2011 20:47:49 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Cy Twombly]]></category>
		<category><![CDATA[Dayle Wood]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=212</guid>
		<description><![CDATA[Cy Twombly’s genius as an artist lies in creating intuitive, emotional forms that investigate both the process of drawing and its relationship with writing and language. His work often incorporates textual references to Greek and Roman mythology and engages the techniques of Surrealist-inspired automatic writing, through which Twombly studies the physical act of mark making. [&#8230;]]]></description>
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		<title>Dayle Wood on Susanna Harwood Rubin</title>
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		<pubDate>Wed, 29 Jun 2011 20:37:39 +0000</pubDate>
		<dc:creator><![CDATA[Rachel Nackman]]></dc:creator>
				<category><![CDATA[Dayle Wood]]></category>
		<category><![CDATA[Susanna Harwood Rubin]]></category>

		<guid isPermaLink="false">http://artequalstext.aboutdrawing.org/?p=167</guid>
		<description><![CDATA[Emerging from the scores of vertical graphite striations lining the surface of this drawing, the words 102 boulevard Haussmann denote more than a physical location within the city of Paris. The phrase—an address, a place-name—describes a location in which events and interactions occurred, in which memories were formed, in which experiences were had. Once the [&#8230;]]]></description>
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